Category Archives: Prayer

Behold the Throne of Grace

Because of Christ, we have every reason to pray in faith and hope! Because Christ, our Great High Priest has sprinkled the Mercy Seat with His own shed blood, we can now come boldly to the throne of grace and lay hold of mercy and find grace to help in time of need.

Seeing then that we have a great High Priest who has passed through the heavens, Jesus the Son of God, let us hold fast our confession. For we do not have a High Priest who cannot sympathize with our weaknesses, but was in all points tempted as we are, yet without sin. Let us therefore come boldly to the throne of grace, that we may obtain mercy and find grace to help in time of need (Hebrews 4:14–16, NKJV).

In Christ we have full access to the Father! We are forgiven and redeemed. We are loved and accepted. We have the full measure of God’s embrace. He has given us Christ! What then will He withhold?

What then shall we say to these things? If God is for us, who can be against us? He who did not spare His own Son, but delivered Him up for us all, how shall He not with Him also freely give us all things? (Romans 8:31–32)

John Newton’s hymn “Behold the Throne of Grace” celebrates the promise we have of bold access to the presence of God in Christ. It encourages us to remember the promise and preach it to our own souls. In Christ God freely gives us all things, not so we can obtain and cling to “the world’s poor toys” but so we can have and cling to Christ, who is our greatest need and ultimate joy.

The hymn is from Book 1 (“On Selected Texts of Scripture”) of the Olney Hymns published in 1779 by John Newton and William Cowper. It is included along with two other hymns under the Scripture text: “Ask what I shall give thee” (1 Kings 3:5).

Prayer and Watchfulness

Behold the Throne of Grace

Behold the throne of grace,
The promise calls us near,
There Jesus shows a smiling face
And waits to answer prayer.

That rich atoning blood,
Which sprinkled round we see,
Provides for those who come to God
An all prevailing plea.

My soul, ask what thou wilt,
Thou canst not be too bold;
Since His own blood for thee He spilt,
What else can He withhold?

Beyond thy utmost wants
His love and pow’r can bless;
To praying souls He always grants,
More than they can express.

Since ’tis the Lord’s command,
My mouth I open wide;
Lord open Thou Thy bounteous hand,
That I may be supplied.

Thine image, Lord, bestow,
Thy presence and Thy love;
I ask to serve Thee here below,
And reign with Thee above.

Teach me to live by faith,
Conform my will to Thine;
Let me victorious be in death,
And then in glory shine.

If Thou these blessings give,
And wilt my portion be;
Cheerful the world’s poor toys I leave,
To them who know not Thee.

Amen.

“Behold the Throne of Grace”
Words by John Newton (1779)
Tune: STATE STREET
Music by Jonathan Woodman, 1844
Words and Music ©Public Domain

Download free sheet music (PDF), including a guitar chord charts and arrangements of the hymn tune STATE STREET for classical guitar and for instrumental ensemble.

More Hymns from History

More Hymns arranged for Classical Guitar

Increase Our Faith O Lord

Too often we become discouraged and infrequent in our prayers because we focus on our troubles rather than the power of God and the promises in His Word. We don’t know God as we should, we don’t think of Him as we should, and so we fail to trust Him as we should. We don’t cry out to Him as we should in prayer and praise.

This hymn is the fruit of a study on prayer from a prayer meeting at Grace Baptist Church in Cape Coral, FL, taught by our Associate Pastor, Jared Longshore. It is an exhortation to pray and look to God in faith. And it is a prayer that God would stir up faith in us that we would be quick to remember Him and seek Him.

Increase Our Faith O Lord

“… for assuredly, I say to you, if you have faith as a mustard seed, you will say to this mountain, ‘Move from here to there,’ and it will move;  and nothing will be impossible for you” (Matthew 17:20).

Increase our faith, O Lord!
We look to You today.
Remind us of Your Word and pow’r,
Come stir our hearts to pray.

Look down on us in love,
Draw near us in this place.
With confidence, we come in Christ
To seek the throne of grace.

Because we do not ask,
We often lack what’s good.
If we would only look to God
And trust Him as we should!

Our faith, it seems so small,
Yet You, Lord, are so great!
So help us bring petitions large,
In You we trust and wait.

If we but had the faith,
Small as a mustard seed,
Then we would see the mountains move
For God has power indeed.

There’s nothing that’s too hard,
No good thing He’ll withhold.
So let us bring our prayers in faith,
We cannot be too bold.

Look down with mercy, Lord
And hear the prayers we raise,
That we might see Your power displayed
And offer thanks and praise.

Words ©2017 Ken Puls

Download the lyrics and free sheet music for this hymn, including an arrangement of the tune HOLY ROOD for classical guitar.

More Hymns and Songs from Ken Puls Music

Now May the God of Peace

“Now may the God of peace himself sanctify you completely, and may your whole spirit and soul and body be kept blameless at the coming of our Lord Jesus Christ” (1 Thessalonians 5:23, ESV).

A Prayer of sanctification that God would deepen our repentance and strengthen our faith in the daily battle against remaining sin.

Lord, I desire Your will
My heart yearns to obey
Though daily I am faced with sin
Enticing me away

So, help me rise each day
Battle and war with sin
Until I see You face to face
And final vict’ry win

Lord, You have so designed
Sin to remain in me
That as I struggle, watch and pray
I learn humility

So, help me to obey
Holiness to pursue
Deepen repentance when I fail
Strengthen my faith in You

I rest within the hope
Your Spirit dwells in me
Completing that which was begun
So holy I may be

Now may the God of Peace
Sanctify me wholly
And keep me blameless ’til the day
Christ comes in victory

Words ©1992, 2015 Kenneth A Puls

Read more about how this hymn came to be written and download free sheet music (PDF), including chord charts for acoustic guitar, an arrangement of the tune for Classical Guitar, and an arrangement of the tune for Instrumental Ensemble.

—Ken Puls

Lessons from the Psalm Inscriptions: Titles of Description

A Song A Psalm

Lessons from the Psalm Inscriptions
In Leading God’s People in Prayer and Praise

Titles of Description

The second type of psalm inscription is a title of description. It indicates the musical or poetic genre of the psalm. Although we use the word “psalm’ to refer to all 150 songs in the Psalter, there are actually more than just psalms in the book of Psalms. The inscriptions suggest that there are at least eight types of musical composition represented. The first four are fairly clear in their meaning: psalm, song, prayer and praise. The last four are less certain: testimony, michtam, maschil and shiggaion.

The use of these terms in the inscriptions indicates that some overlap may exist in their meanings. While 82 psalms employ only one descriptive term, 15 use two in combination, and one, the double inscription in Psalm 88, uses three. Fifty-two psalms have no descriptive title.

Psalm

The most frequent title of description is psalm (mizmor). It appears in the heading of 57 psalms. It is the only descriptive term in 43 headings. [1] In 12 psalms it occurs in combination with song (shir). [2] In the double inscription of Psalm 88 it is used with both shir and maschil. In Psalm 80 it is used with testimony (‘eduth).

Mizmor is a noun meaning psalm or accompanied song. [3] The noun is a derivation of the verb zamar. Zamar has two meanings in the Old Testament. In the context of agriculture it means to prune (pluck) a vine; in the context of music, the verb means to play (pluck) a musical instrument, or sing to the accompaniment of a plucked (stringed) instrument. [4] The verb (associated with music) occurs 45 times in the Old Testament, all in the Pi’el (intensive stem) and all in the context of praise. All but four occurrences are in the Psalms. Twenty-two occurrences of zamar are in psalms that include the inscription mizmor. The Theological Word Book of the Old Testament (TWOT) and BDB Hebrew Lexicon suggest broader meanings for zamar: to make music, [5] or to make music in praise of God. [6] The Theological Dictionary of the Old Testament (TDOT) concludes, however, that zamar “is used in OT Hebrew solely in the sense ‘sing praises (accompanied by stringed instruments).’” [7]

According to The Hebrew and Aramaic Lexicon of the Old Testament the original meaning of mizmor is a song sung to an instrumental accompaniment. [8] The TDOT defines the term as a song (with instrumental accompaniment). [9] This accompaniment would be predominantly by stringed instruments. Stringed instruments were especially important for the accompaniment of the psalms in the Temple worship, as Edersheim explains:

That music was chiefly sustained by the harp (Kinnor) and the lute (Nevel). Of the latter (which was probably used for solos) not less than two nor more than six were to be in the Temple orchestra; of the former, or harp, as many as possible, but never less than nine. There were, of course, several varieties both of the Nevel and the Kinnor. The chief difference between these two kinds of instruments lay in this, that in the Nevel (lute or guitar) the strings were drawn over the sounding-board, while in the Kinnor they stood out free, as in our harps. [10]

By the time of the New Testament the term psalm was used especially, though not exclusively to refer to the collection of songs used in worship in the Temple. The title for the Book of Psalms in the Septuagint (LXX) is the Greek word Psalmoi, from which the English title is derived. Jesus used this term when He said that what was written about Him in the Psalms “must be fulfilled” (Luke 24:44). When Paul provided a paradigm for music in the church, he began his list with singing psalms (Ephesians 5:19, Colossians 3:16).

Song

Seventeen psalms are described only by the term song (shir). [11] Fifteen of these are the Songs of Ascent, songs that the people of Israel would sing on their way to Jerusalem and the Temple to celebrate the pilgrimage festivals (Deuteronomy 16:16–17). Eight psalms are described by the combination mizmor shir [12] and four with shir mizmor. [13] The double inscription of Psalm 88 has shir mizmor and maschil. One psalm, Psalm 45, is called A Song of Loves and a maschil.

Shir is a noun that simply means song. [14] It has a wide variety of sacred and secular uses. It is used of celebrating a journey (Genesis 31:27) as well as rejoicing in God (Exodus 15:1). While shir appears primarily in joyful contexts, it is also used in the headings of poems expressing lament (e.g. Psalm 88). It describes the singing of one voice (David’s solo in Psalm 18) as well as the combined praise of many voices, “The LORD has done great things for us; we are glad” (Psalm 126:3).

Compared to mizmor, shir is a more generic term with a broader meaning. Kraus explains in his commentary on the Psalms:

A differentiation between [shir] and [mizmor] could be stated only in this way, that [shir] probably originally and preponderantly denoted the vocal, cantillating presentation of a psalm, whereas [mizmor] primarily referred to singing accompanied instrumentally. [15]

While mizmor is a more specific designation indicating a song written for both voice and instruments (see above), shir simply denotes song or singing in general.

Prayer

Four psalms are designated as a prayer (tehillah). [16] In all four psalms, the psalmist expresses a trouble or difficulty. In light of this, Kraus suggests that the term in the Psalter means a prayer of lament or bidding prayer. [17] Psalm 90, for example, is titled: “A Prayer of Moses, the Man of God.” The psalm laments the fleeting days of man and is an extended petition for mercy and help:

Return, O LORD! How long?
Have pity on your servants!
Satisfy us in the morning with your steadfast love,
that we may rejoice and be glad all our days.
Make us glad for as many days as you have afflicted us,
and for as many years as we have seen evil.
(Psalm 90:13-15)

In one sense most of the 150 psalms could be titled a prayer, since in the vast majority God is personally addressed. The psalms are valuable models for prayer, exemplifying both praise and petition. Book II of the Psalter ends in Psalm 72:20 with the words: “The prayers of David the son of Jesse are ended.” This seems to indicate that most of the poems at least in the first two books were considered as prayers.

Praise

Only one psalm, Psalm 145, has the descriptive title tehillah, meaning praise, song of praise or praiseworthy deed. [18] Praise, however, is a term fitting for the entire Psalter. Praise is ultimate to the psalms. With the exception of Psalm 88, all the psalms include expressions of praise to God. [19] The Psalter is named in Hebrew tehillim (the plural of tehillah), meaning Praises. Although the Psalter begins with instruction (Psalm 1 contrasts the way of the wicked with the way of the righteous), and continues with many petitions and laments, it culminates in a loud crescendo of praise at the end (145–150). Everything in the book—prayers and teachings, joys and sorrows—moves toward praise to God. The psalm that bears the title of praise stands at the beginning of the final crescendo calling on all creation to glorify God.

The noun tehillah is derived from the verb halal (found only in the intensive stems in Scripture), meaning to praise. [20] Several psalms that center on joy and praise are included in a collection of psalms sung especially during the festival celebrations at the Temple. Sendrey explains:

Among the psalms sung at the high holidays, the group of the Hallel-psalms occupied the most prominent place. To this group belonged the “Egyptian Hallel,” as Pss. 113–118 are called in the rabbinic literature, the Great Hallel,” Pss. 120–136, and Pss. 146–148, specifically called the Hallel-psalms. [21]

As a descriptive term tehillah denotes a poem written to honor and extol the Lord, as Psalm 145:1–2 exemplifies:

I will extol you, my God, O King;
And bless your name forever and ever.
Every day I will bless you,
And praise your name forever and ever.

According to 1 Chronicles 16:4 praise was one of the three primary activities of the Levites as they ministered before the ark in the Tabernacle. The abundant use of praise in the psalms, even in petitions and laments, reveals that praise was an essential element in the music and worship of ancient Israel.

Testimony

The noun ‘eduth meaning a testimony, a witness or covenant is found in the heading of two psalms. It appears in Psalm 60 with michtam and in Psalm 80 with mizmor. The term is often used in the Old Testament to refer to God’s Law, the Ten Commandments. In Psalm 78:5–8 it appears with law (torah) where Asaph reminds God’s people of the command to teach God’s Word to children of each generation “that they may set their hope in God, and not forget the works of God.”

In Psalm 60 ‘eduth follows the phrase ‘al-shushan, meaning literally upon a lily. Some translations of Scripture connect the two headings as one. The KJV, ESV and NAS leave the headings connected and untranslated. The NKJV has Set to “Lily of the Testimony.” The NIV is similar: To the tune of “The Lily of the Covenant.” However in Psalm 80, where ‘eduth follows a similar phrase with the plural noun ‘el-shoshannim meaning upon Lilies, several versions treat the headings as separate titles of description. The plural noun is clearly in the Absolute state rather than Construct state (meaning it stands alone and is not linked to the following term). It can be translated to the tune “Lilies.” A Testimony, but not to the tune “Lilies of a Testimony.” The NKJV correctly reads: Set to “Lilies” A Testimony. As does the ESV: According to Lillies. A Testimony. The NAS also separates the headings while leaving them untranslated: set to El Shoshannim; Eduth. The NIV, however ignores the Absolute state of the noun shoshannim and connects both headings as in Psalm 60. The NIV reads: To the tune of “The Lilies of the Covenant.” The KJV connects the headings and leaves them untranslated.

In both headings ‘eduth should be regarded as a separate inscription meaning Testimony or Covenant. Both psalms bearing this description are similar. They portray the petitions of the covenant people who, due to their own sinfulness and rebellion, have fallen out of fellowship with God. Psalm 60 begins:

O God, you have rejected us, broken our defenses;
you have been angry; oh, restore us.
(Psalm 60:1)

The refrain in Psalm 80: 3, 7, and 19 echoes the same theme:

Restore us, O God;
let your face shine, that we may be saved!

Michtam

Michtam is the only descriptive heading in five psalms. [22] Psalm 60, the longest heading in the Psalter, has both michtam and testimony. The meaning of michtam is less certain, but it likely comes from a root meaning inscribed or written down, denoting a song that is preserved for public use or public benefit. The Hebrew and Aramaic Lexicon offers the most likely translation of the term, an inscription. [23] Peter Craigie, in his commentary, agrees, stating that the “most probable” meaning is inscribed. [24]

All six occurrences of michtam involve psalms that express some kind of trouble. Marvin Tate in his commentary suggests that these are “all psalms of distress and crisis, in which the speaker moves to confidence and assurance that enemies will receive appropriate consequences for their deeds.” [25] Cragie adds: “Tentative support for this interpretation may come from the six psalms entitled Miktam in the Psalter; four, in their titles, are associated with times of crisis, which might have been events of sufficient moment to warrant recording an inscription.” [26] The michtam was a way for the psalmist to write down or inscribe both his cry to God and his confidence in God, so that when deliverance came, all would know that the God of Israel hears and answers the prayers of His people.

Maschil

This term maschil occurs at the beginning of twelve psalms: in ten headings as the only designation, [27] once with the heading Song of Loves (Psalm 45), and once with shir mizmor (Psalm 88).

The meaning of maschil is uncertain. The KJV, NAS, NIV, and ESV all leave the term untranslated. The NKJV translates the term as a contemplation. Scholars have proposed a variety of possible meanings. Ernest Klein suggests that the term means wise, skillful, or intelligent and refers to ” a kind of didactic poem.” [28] Kraus also calls the term “an ‘artistic song’ or ‘didactic song.’” [29] This is supported by the use of the term as a participle in 2 Chronicles 30:22 where it refers to Levites who were skilled in the worship of God and were responsible for teaching God’s people. A maschil then denotes a lyrical poem used in the teaching ministry of the Levites. These are songs filled with counsel and instruction.

I will instruct you and teach you in the way you should go;
I will counsel you with my eye upon you.
(Psalm 32:8)

The use of maschil in Psalm 53 demonstrates some overlap in the psalm inscriptions. Psalm 53 from Book II in the Psalter is designated as a maschil; Psalm 14 in Book I is called a psalm (mizmor). Both have identical texts except for the name used of God in the second verse. [30]

Shiggaion

The meaning of shiggaion is also uncertain. Most modern versions of Scripture leave the term untranslated. The NKJV renders the term a meditation. Kraus suggests the rendering lamentation. [31] The term occurs in the Psalter only in Psalm 7, although it is also used in Habakkuk 3. Both songs compare the wrath of God toward the wicked with the mercy of God toward the righteous.

Shiggaion may relate to a root in Hebrew meaning to go astray. [32] This would suggest the rendering wandering psalm implying an uneven poetic meter or the expression of unsettled thoughts. This would be fitting for the text in which David grapples with the curses spoken to him by Cush. In Psalm. 7:3-5 David prays:

O LORD my God, if I have done this,
if there is wrong in my hands,
if I have repaid my friend with evil
or plundered my enemy without cause,
let the enemy pursue my soul and overtake it,
and let him trample my life to the ground
and lay my glory in the dust. Selah

David resolves at the end of the psalm:

I will give to the LORD the thanks due to his righteousness,
and I will sing praise to the name of the LORD, the Most High.
(Psalm 7:17)

Habakkuk also grapples with a difficult issue, God’s use of the Babylonians as a means to chastise His people. In Habakkuk 3:16 he laments:

I hear, and my body trembles;
my lips quiver at the sound;
rottenness enters into my bones;
my legs tremble beneath me.
Yet I will quietly wait for the day of trouble
to come upon people who invade us.

Like David, Habakkuk resolves in the end that he will praise God:

yet I will rejoice in the LORD;
I will take joy in the God of my salvation.
GOD, the Lord, is my strength;
he makes my feet like the deer’s;
he makes me tread on my high places.
(Habakkuk 3:18–19)

Conclusion

There are at least eight types of musical composition represented in the Book of Psalms: psalm (an accompanied song, usually with stringed instruments), song (singing with or without accompaniment), prayer (a petition for mercy and help), praise (honoring and exalting God), testimony (a prayer of contrition from God’s covenant people), michtam (an inscription to mark a significant event), maschil (a song of instruction), and shiggaion (a complaint grappling with evil and injustice).

These titles of description are part of the rich diversity found in the Psalter. The psalms are filled with a wide range of expression in worship, from lament to joy, from a single voice to a vast convocation, from quiet and stillness to loud, reverberating praise. Added to this, shaping this expression, are a variety of poetic and musical forms. These forms encourage the worshipper to sing, play music, pray, praise, grapple with injustice, repent of sin, gain wisdom, and write down significant events when we placed our confidence in God. The music of the Psalter stands as the fount of church music and sets a precedent for the rich variety and abundance of poetic and musical forms used in worship through history.

Notes:

[1] Psalm 3, 4, 5, 6, 8, 9, 12, 13, 14, 15, 19, 20, 21, 22, 23, 24, 29, 31, 38, 39, 40, 41, 47, 49, 50, 51, 62, 63, 64, 73, 77, 79, 82, 84, 85, 98, 100, 101, 109, 110, 139, 140, 141, 143.
[2] Psalm 30, 48, 65, 66, 67, 68, 75, 76, 83, 87, 92 and 108.
[3] Theological Wordbook of the Old Testament [TWOT], 1:245; William L. Holladay, A Concise Hebrew and Aramaic Lexicon of the Old Testament (Grand Rapids, MI: William B. Eerdmans Publ. Co., 1988), 189.
[4] Holladay, A Concise Hebrew and Aramaic Lexicon, 89–90; Ludwig Koehler and Walter Baumgartner, The Hebrew and Aramaic Lexicon of the Old Testament, trans. and ed. M. E. J. Richardson (New York: E. J. Brill, 1994–2003), 1:273–274. This meaning of the verb occurs in Leviticus 25:3 and Isaiah 5:6 (The Song of the Vineyard).
[5] TWOT, 1:245
[6] The New Brown–Driver–Briggs–Gesenius Hebrew and English Lexicon [BDB], 274.
[7] Theological Dictionary of the Old Testament [TDOT], 4:98.
[8] Koehler and Baumgartner, Hebrew and Aramaic Lexicon, 2:566.
[9] TDOT, 4:94.
[10] Alfred Edersheim, The Temple: Its Ministry and Services (New York: F. H. Revell, 1874; reprint, Grand Rapids, MI: William B. Eerdmans Publ. Co., 1987), 78-79.
[11] Psalm 18, 46, 120–134.
[12] Psalm 30, 65, 67, 68, 75, 76, 87, 92.
[13] Psalm 48, 66, 83, 108.
[14] Holladay, A Concise Hebrew and Aramaic Lexicon, 367-68; BDB, 1010
[15] Hans-Joachim Kraus, Psalm 1–59: A Commentary, trans. Hilton C. Oswald (Minneapolis, MN: Augsburg, 1988), 22.
[16] Psalm 17, 86, 90, 120.
[17] Kraus, Psalms 1-59: A Commentary, 26
[18] [BDB, 239; Holladay, A Concise Hebrew and Aramaic Lexicon, 387; TWOT, 1:218.
[19] Even in Psalm 88, the psalmist expresses his concern for the praise of God in verse 10.
[20] Holladay, A Concise Hebrew and Aramaic Lexicon, 80–81
[21] Alfred Sendrey, Music in Ancient Israel (New York: Philosophical Library, Inc., 1969), 176-77.
[22] Psalm 16, 56–59.
[23] Ludwig Koehler and Walter Baumgartner, Hebräisches und Aramäiches Lexikon zum Alten Testament, 3d ed. (Leiden: E. J. Brill, 1967 – 1990), 551. “Aufschift.”
[24] Peter C. Craigie, Psalm 1-50, Word Biblical Commentary, eds. David A. Hubbard, et al., vol. 19 (Waco, TX: Word Books, 1983), 154, note 1.a.
[25] Marvin E. Tate, Psalm 51-100, Word Biblical Commentary, eds. David A. Hubbard, et al., vol. 20 (Dallas, Texas: Word Books, 1990), 66.
[26] Craigie, Psalm 1-50, 154, note 1.a.
[27] Psalm 32, 42, 52, 53, 54, 55, 74, 78, 89, 142
[28] Ernest Klein, A Comprehensive Etymological Dictionary of the Hebrew Language for Readers of English. (New York, MacMillian Publishing Company, 1987), 391
[29] Kraus, Psalms 1-59: A Commentary, 25.
[30] Psalm 14 uses Yahweh LORD. Psalm 53 has Elohim God.
[31] Kraus, Psalms 1-59: A Commentary, 26
[32] Craigie, Psalm 1-50, 97.

This series is based on a seminar paper for “Special Research in Church Music” at Southwestern Baptist Theological Seminary (May 1995).

See a Table of Contents (thus far) for this series: Lessons from the Psalm Inscriptions

(Scripture quotations are from the Holy Bible, English Standard Version (ESV) ©2001 by Crossway)

Prompting Our Prayers

What can we do to be more consistent and more abundant in our prayers? Here are five practical ways you can bolster your praying.

1. Look for reasons to pray

as God burdens you
as you remember truth, Scripture
as you hear of requests from others
when you face difficulties and decisions
when you receive blessing and prosper

We live in a fallen world; we don’t have to look far to find reason to cry out to God. Look for those reasons to pray. Are you facing difficulty? Are brothers and sister in Christ facing difficulty? Are you facing decisions? Has God blessed you and prospered you?
As Scripture testifies, all of live is an occasion that should drive us to prayer. Ask God to make you sensitive to occasions for prayer and more intentional in going to Him in prayer. Prayer doesn’t always have to be long or formal or even well-thought out, but prayer should be frequent, spontaneous, and from the heart.

2. Try to begin and end the day in prayer

Make it a practice of seeking God with your first thoughts as you awake and your last thoughts as you fall asleep. In your first waking moments, thank Him for giving you a new day, for keeping you through the night. As you drift off to sleep, turn your thoughts to God. You will not offend God by taking to Him when you are tired or even by falling asleep in the middle of your prayer. There is, in fact no better way to prepare yourself for rest than by crawling into the arms of God as you pillow your head at night. Make it a practice as you doze off at night to thank the Lord for bringing you through the day. Trust Him! Set your mind at ease acknowledging that He is good and in control of all things. Sleep is a wonderful gift of God that reminds us that we are not God and we are not in control. There are regular intervals when we are out and the world goes on without our involvement. Sleep is a wonderful reminder that God is God and we are not. Use those times of retiring and rising as prompts to prayer.

3. Take opportunity with other believers to pray

Use the times of fellowship you have with other Christians as occasions for prayer. We gather together  as a church family at times specifically for prayer, but even when you visit during the week, or have occasion to see one another, or speak to one another on the phone, take time to stop and pray, especially as your hear of needs and blessings. Pause to intercede and to praise.

4. Set aside time during the day to be alone and pray

Make opportunities for yourself to be alone for prayer. Go for a walk; go to a place where you can be by yourself for a time. Unplug. Turn off your TV, your computer, your phone—and pray. You may need to take advantage of times you are already by yourself: driving to or home from work in you car, taking a bath or a shower. Seek times to be by yourself that you can give to God. Ask God to create time for you and prompt you to pray. When God in His providence removes you from the presence of other people (by sickness or by other means), use the opportunity to seek Him.

5. Use everyday tasks to prompt your prayers

As people we are often habitual and very predictable. We do the same things over and over. We have our routines and daily practices. These can work against us if they are sinful or harmful and hard to break. But many routines are actually quite useful in helping us navigate and manage our day. And these can be enlisted and established as prompts to prayer.

One to whom we can look as an example of this is General Stonewall Jackson. Jackson was a general in the Confederate army during the civil war, and he was a devout believer. He took the command to “pray without ceasing” as a rule of life.  Here is an excerpt about his life written by his wife:

[A] friend once asked him what was his understanding of the Bible command to be “instant in prayer” and to “pray without ceasing.” “I can give you,” he said, “my idea of it by illustration, if you will allow it, and will not think that I am setting myself up as a model for others. I have so fixed the habit in my own mind that I never raise a glass of water to my lips without lifting my heart to God in thanks and prayer for the water of life. Then, when we take our meals, there is the grace. Whenever I drop a letter in the post-office, I send a petition along with it for God’s blessing upon its mission and the person to whom it is sent. When I break the seal of a letter just received, I stop to ask God to prepare me for its contents and make it a messenger of good. When I go to my classroom and await the arrangement of the cadets in their places, that is my time to intercede with God for them. And so in every act of the day, I have made the practice habitual.”

[from Life and Letters of “Stonewall” Jackson by Mary Anna Jackson (1892; reprint, Harrisburg, VA: Sprinkle Publications, 1995), 72-73.]

Water GlassJackson took even the menial tasks of life and associated them with prayer: Getting out of bed in the morning, getting dressed in the morning, getting a drink of water, eating a meal, getting ready to teach a class—all of these became prompts to prayer.
I encourage you tonight, as we come to a time of prayer, to be thoughtful and creative in ways that you could begin prompting yourself to pray. Don’t wait for time of need. Don’t wait for circumstances or trials to bring you to your knees. Make your life a life of prayer. Look for signposts in your life that will continually and consistently direct your thoughts to God. We can learn to pray without ceasing!

This is an excerpt from a Bible Study entitled “When Should We Pray?” taught at Grace Baptist Church on July 2, 2014.