Relief in Time of Danger

The Reliever delivers Christiana and Mercy

Now they being, as I said, not far from the gate in at which they came, their voice was heard from where they were, thither: wherefore some of the house came out, and knowing that it was Christiana’s tongue, they made haste to her relief; but by that they were got within sight of them, the women were in a very great scuffle, the children also stood crying by. Then did he that came in for their relief call out to the ruffians, saying, “What is that thing that you do? Would you make my Lord’s people to transgress?” He also attempted to take them; but they did make their escape over the wall into the garden of the man to whom the great dog belonged: so the dog became their protector. This Reliever then came up to the women, and asked them how they did. So they answered, “We thank your Prince, pretty well, only we have been somewhat affrighted; we thank you also for that you came into our help, for otherwise we had been overcome.”

Reliever: So after a few more words, this Reliever said as follows: “I marveled much when you were entertained at the gate above, seeing you knew that you were but weak women, that you petitioned not the Lord there for a conductor. Then might you have avoided these troubles and dangers; for he would have granted you one.”

Christiana: “Alas,” said Christiana, “We were so taken with our present blessing, that dangers to come were forgotten by us; besides, who could have thought that so near the King’s palace there should have lurked such naughty ones? Indeed, it had been well for us had we asked our Lord for one; but since our Lord knew it would be for our profit, I wonder he sent not one along with us.”

Reliever: It is not always necessary to grant things not asked for, lest by so doing, they become of little esteem; but when the want of a thing is felt, it then comes under, in the eyes of him that feels it, that estimate that properly is its due, and so consequently will be thereafter used. Had my Lord granted you a conductor, you would not neither so have bewailed that oversight of yours in not asking for one as now you have occasion to do. So all things work for good, and tend to make you more wary.

Christiana: Shall we go back again to my Lord, and confess our folly, and ask for one?

Reliever: Your confession of your folly I will present him with; to go back again, you need not. For in all places where you shall come, you will find no want at all; for in everyone of my Lord’s lodgings which he has prepared for the reception of his pilgrims, there is sufficient to furnish them against all attempts whatsoever. But, as I said, he will be inquired of by them to do it for them; and ’tis a poor thing that is not worth asking for.

When he had thus said, he went back to his place; and the pilgrims went on their way.

Notes and Commentary

In the previous post, Christiana and Mercy were in the midst of great peril. They were traveling on the Way, still near the Gate, when they were assaulted by two ill-favored ones. Unable to flee, they both cried out for help.

Thankfully, their voice is heard and a Reliever comes in answer to their prayers. He confronts the ruffians and pursues them until they make their escape over the wall.

Who is this Reliever who hastens to help the pilgrims? Bunyan offers some clues in the story as to his identity.

Continue reading Notes and Commentary

The text for The Pilgrim’s Progress and images used are public domain.

Notes and Commentary for Part II ©2014, 2023 Ken Puls

Unless otherwise indicated, all Scripture quotations are from 
the New King James Version (NKJV) ©1982 by Thomas Nelson, Inc
.

Return to A Guide to John Bunyan’s The Pilgrim’s Progress Part 2

Encounter with Ill-Favored Ones

Ill-Favored Ones

Now by that they were gone about two bow-shots from the place that let them into the way, they espied two very ill-favored ones coming down apace to meet them. With that Christiana, and Mercy her friend, covered themselves with their veils; and so kept on their journey. The children also went on before; so that at last they met together. Then they that came down to meet them came just up to the women as if they would embrace them; but Christiana said, “Stand back, or go peaceably by, as you should.” Yet these two, as men that are deaf, regarded not Christiana’s words; but began to lay hands upon them. At that Christiana, waxing very wroth, spurned at them with her feet. Mercy also, as well as she could, did what she could to shift them. Christiana again said to them, “Stand back, and be gone; for we have no money to lose, being pilgrims, as you see, and such too as live upon the charity of our friends.”

Ill-favoured Ones: Then said one of the two men, “We make no assault upon you for money; but are come out to tell you, that if you will but grant one small request which we shall ask, we will make women of you forever.”

Christiana: Now Christiana, imagining what they should mean, made answer again, “We will neither hear, nor regard, nor yield to what you shall ask. We are in haste, cannot stay; our business is a business of life and death.” So again, she and her companions made a fresh essay to go past them: but they hindered them in their way.

Ill-favoured Ones: “We intend no hurt to your lives; it is another thing we would have.”

Christiana: “Aye,” said Christiana, “you would have us body and soul, for I know it is for that you are come; but we will die rather upon the spot than suffer ourselves to be brought into such snares as shall hazard our wellbeing hereafter.” And with that they both shrieked out, and cried, “Murder! murder!” and so put themselves under those laws that are provided for the protection of women.

But the men still made their approach upon them, with design to prevail against them; they therefore cried out again.

Notes and Commentary

Once again, the pilgrims are not far from the Gate, when they are confronted with temptation and sin. They heard the barking dog and saw the alluring fruit from Beelzebub’s garden. Now the evil they encounter is even more threatening and hostile. The pilgrims are shamelessly assaulted by two “ill-favored ones” who are intent on defiling their bodies, derailing their faith, and discouraging any hope that they will complete their journey to the Celestial City.

Continued reading Notes and Commentary

The text for The Pilgrim’s Progress and images used are public domain.

Notes and Commentary for Part II ©2014, 2023 Ken Puls

Unless otherwise indicated, all Scripture quotations are from 
the New King James Version (NKJV) ©1982 by Thomas Nelson, Inc
.

Return to A Guide to John Bunyan’s The Pilgrim’s Progress Part 2

Can Music Be Evil or Worldly?

Rock Guitar

You may have read books or watched videos that teach on music and warn against various styles of music, pointing to their association with things that are ungodly. Those discussions about music can be both helpful and at times misleading. They are helpful in that—

  1. They make us aware that we should be concerned about the music we hear.
  2. They expose some very real issues of sin and abuse of music to promote evil.

But they can be misleading in that—

  1. They tend to pick on just 1 or 2 styles of music (Rock, Pop), and give the rest a pass.
  2. They often misidentify the problem.

Let me give you some guidelines for thinking about music as it relates to sin. First we must realize that—

1) All music belongs to God.

All music that we create is a part of this world. And all music belongs to God as a part of His creation. God gave us music to enjoy and glorify Him in all of life.

2) Music itself cannot be “sacred” or “secular.”

When you are considering just the music—not music and words together—not music in other contexts—just evaluating the tune—music itself is not “sacred” or “secular.” It is a false dichotomy to divide music into categories—thinking that God has His music over here—music that He prefers and delights in—and the world has its music over there that it delights in and prefers—and the really bad stuff—that is the devil’s music.

There is no “God’s music,” “world’s music,” and “devil’s music.” It is all God’s music. No tone or beat has ever been sounded in this universe that does not belong to God.

Music is not inherently religious or worldly, good or evil. There is only music—which can be employed for worship, for recreation, for celebration, for numerous occasions in which we wish to raise our affections and give voice to our emotions.

3) Music can’t be evil because “evil is nothing, i.e. no–thing.”

Evil does not consist of things, be it bullets and guns or tones, rhythms and instruments. [For an explanation of this principle listen to the message by R.C. Sproul from the Ligonier National Conference held in June 2010 on “What is Evil and Where does it come from?”] Evil does not consist of things, rather—

4) Sin is an issue of the heart.

When we see music that is wed to words or actions that dishonor God, if we are not careful, we can come to the conclusion that the problem is the music, when the real problem is sin. Sin is always an issue of the heart. Sin is found in our motives and intents as we create and use music, not in the tones, rhythms, and instruments we use to create and make music. Music can certainly be used in sinful ways to express sinful desires and wicked intentions. But the music itself is just a tool.

It has been this way since the beginning. In Genesis 4:21 we read of Jubal—the father of those who play the lyre and pipe—the first time music is referenced in the Bible. Two verses later in Genesis 4:23 we have the first recorded song in Scripture—a boast exulting in murder and lust for revenge.

All styles of music can be abused in sinful ways. Often it’s styles like Rock and Pop that are targeted as “worldly” or “evil,” while styles such as Classical are championed as wholesome and safe. Critics point to the perverse lifestyle and evil intentions of many Pop and Rock musicians. And we should heed their warnings and be on guard against using music to sin against God. But honestly, all styles of music can be abused by sin. Classical, Rock, Pop, Country and Jazz can all express a wide range of emotion. And all have a history tainted by sin. All have had composers and performers whose lives have been shattered by sin. We need discernment to judge every style and genre of music. A better way think of music in regard to evil is—

5) Music can be used in ways that honor God or profane God.

When music honors God, it is intentionally composed or used to praise Him, acknowledge Him or celebrate what is good and right. Music that honors God does not necessarily need to be worship music. It can be music that celebrates life, love, marriage, family, children, home, and many other gifts of God—and celebrates these good gifts in God-honoring ways.

When music profanes God, it is composed or used without thought of God, as an end in itself, making music to be an idol or empty. Or it is composed to celebrate or promote things contrary to God and His revealed will. And this can happen in all styles of music.

Music itself simply expresses and reflects emotion. It does not in itself distinguish between sinful expressions of emotion and pure expressions of emotion. All emotions can glorify God when channeled and expressed in God-honoring ways. God created our emotions for us to express to His glory. But emotions can be hijacked, misdirected and used in sinful ways. And music has certainly been abused and misused to express emotion in sinful ways. This world has produced some wonderfully passionate and expressive music. The music is for us to use and enjoy to God’s glory. The problem lies in that the world is often passionate and expressive about the wrong things. Their emotions have been hijacked and sent in sinful directions. And so the music they use to express themselves has been hijacked and misdirected as well.

[This excerpt is from the study “What Then Shall We Sing?” Read more from Part 1: Thoughts on Music.]